The explosion of Biblical entertainment started with the
History Channel miniseries called “The Bible,” and the series aptly displayed a
variety of events that occurred through the text.
The media ate up this mini-series and documented its
unprecedented viewers.
“The miniseries was watched by 13.1 million total viewers, according to Nielsen” - Source
The Bible received a variety of feedback. There remained speculation if the individual
who was casted as the devil was supposed to look like President Obama. You can decide that for yourself:
But most of all I believe that it sparked the idea that
Biblical entertainment can make money.
The mini-series will be expecting a follow-up series will potential
titles including “A.D. and A.D. Beyond the Bible.”
This year will continue the Biblical entertainment content
with Son of God (sparked by the
creators of The Bible), and the recent Russell Crowe epic Noah.
Noah is fascinating because it bears no relation other than
basic premise and name to the Biblical account of Noah. With a 130 million dollar budget this film
was credited with stunning visuals. Some
acclaimed that the film was deeper than what it portrayed on the surface, and
others are calling it the modern-day Waterworld.
In the coming months there are several other Biblical
entertainment coming to our screens. Exodus featuring Bale will star as
Moses. Ridley Scott has not said much
about the project, but we do know that Sigourney Weaver is going to co-star in
the film. While these two films are the
only recent ones created with notable actors, this may be the start of a new
trend that Hollywood is beginning to jump on.
Mary, the Mother of
Christ (a Lionsgate film!) featuring the late Peter O’Toole and Sir Ben
Kingsley will be released sometime close to December.
Now this begs the question: Are these films here to
stay?
Some will argue that it’s a fad just like supernatural
romance films, and the current filmic love for dystopia that’s occurring at the
moment. But others say that they are
targeting a unique audience.
Hollywood is “Tapping into the faith-based audience” - Source
These are the individuals who consider themselves religious
in some capacity, and will visit the theaters to watch the films.
But while “These may be infrequent moviegoers for mainstream movies, but they are frequent moviegoers for Biblical and faith-based films.” - Source]
This means that Hollywood has identified a solid audience,
which is considered a luxury for the entertainment industry. While Hollywood loves to take a gamble, they
love knowing that a film will bring in audience and make money for a fact.
But now Paramount and MGM have teamed up to create a remake
of the epic film Ben-Hur. Penned by
Keith Clarke and John Ridley (12 Years a Slave), (Source) the new film will attempt to recreate the magnitude of the original. Sometimes I feel that after losing their
classic film titles back in 80s, MGM has struggled reclaim their status. While 21
Jump Street thrust them back into the fray, the attempts to remake their
own films seem to fall flat (Robocop anyone?)
Is this going to be MGM’s magnificent comeback? Relying on a Biblical film? For the record, they
should take a hint from Paramount’s 2010 remake of True Grit as to how to properly remake a film.
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